High LGBT Culture for Black History Month

Marvin K. White, Jewelle Gomez, and Brian Freeman

Three masters of this era’s Black LGBT culture appeared at the San Francisco LGBT Community Center for a Black History Month event on Feb. 18. Jewelle Gomez, Marvin K. White, and Brian Freeman are accomplished writers and performers who were on stage for a full house of mostly African Americans on a rainy night. Over 100 people from local groups enjoyed “Generations: Black LGBT Experiences” to celebrate those who came before and paved the way for our present society and the ads promised “food, art, entertainment, and much more.” There was artwork that featured popular Black LGBT icons such as Sylvester and Angela Davis along the wall where a buffet at such events is usually provided. Instead of a buffet there was a sparse food offering for people who depend on such meals and for others who work hard and sometimes forget to eat lunch.

Jewelle Gomez performed a scene from her book “The Gilda Stories” that entranced the audience. The book is celebrating its 20th anniversary in print and is the only black lesbian vampire character in the world of literature. Gomez is a writer and activist and was a litigant with her wife Diane Sabin, who attended the reading, in the Proposition 8 court case that ended successfully in marriage equality. Gomez has also taken on the enormous tasks of President of the San Francisco Library Commission and dispersing much-needed grants at the Horizons Foundation.

Marvin K. White is a playwright, poet, visual artist, performer, and community arts coordinator. He is a former member of Pomo Afro Homos troupe, who performed at the Castro’s Josie’s Cabaret and Juice Joint and all over the U.S. He powerfully read from his spine tingling and affirming spoken word poem “I Want to Make Black History with You” and it drew resounding yells of approval from the audience.

Brian Freeman is a co-founder and director of Pomo Afro Homos. His work “Civil Sex” is based on the life of Martin Luther King, Jr.’s openly-gay strategist Bayard Rustin and is highly regarded. He assumed the voice of Rustin’s event piano accompanist to tell a hilarious story about Coretta Scott King’s attempt to sing at a rally.

All three of the evening’s performers are fine actors and they convincingly portrayed the characters from their work and mesmerized the crowd, drawing rounds of applause.

Free rapid HIV and STD tests were available and the event was sponsored by Black Brothers Esteem of the San Francisco AIDS Foundation, African American Health Disparities Project, AfroSolo Theatre Company, Black Coalition on AIDS, HIV Prevention and HIV Research Sections of the SFDPH, Our Love of the Stop AIDS Project, the San Francisco LGBT Community Center, Shanti, Trans:Thrive of the Asian Pacific Islander Wellness Center, and Walden House.

Activist Steve Ibarra, who works at City College battling HIV/AIDS and STDs, said that he was at the party to represent Blatinos. It was an extremely successful event and next year’s Generations is bound to be even bigger.

Three Queer Cultural Events in Three Hours: A San Francisco Artgasm

Larry-bob Roberts, Michelle Tea and V. Vale

Three uniquely San Francisco queer events happened in three hours on Wednesday Sept. 15. The Radar Reading Series, the Fringe Festival, and Smack Dab all presented events for large crowds, with special appeal for LGBT audiences. It was an artgasm and a pleasure for people who feel deprived of public culture that has creative intellect.

The first event of the evening was an unusually rich literary happening at the San Francisco Main Library. Hostess Michelle Tea has presented her Radar Reading Series for over six years, and she has conquered one of the major obstacles of audience participation by bribing questions out of the throng with gourmet cookies during the Q&A. Pungent chocolate confections from Tartine Bakery were an immediate lure for interaction. Eileen Myles, Larry-bob Roberts, Gina Gold, and V. Vale were the featured authors, and each had a revelatory form of work that drew the audience into the moment while they read.

Michelle Tea and Larry-bob Roberts

Eileen Myles is considered a cult figure of fiction and non-fiction works. Her book “The Importance of Being Iceland” delves into that country’s art, poetry, and not-so-hidden queer identity. She was on a book tour and the audience was happy that she could be in San Francisco.

Larry-bob Roberts introduced his new book “The International Homosexual Conspiracy” which is a collection of his rants and raves about our bizarre modern culture and clever LGBT adaptations to it. It is bound to be waved from pulpits at rapturous, fundamentalist tent shows. Yoko Ono fans and Björk crazies were shredded during his presentation and Judy Garland worshippers were degraded.

Gina Gold is a controversial improv performer who has few boundaries about her personal sex life and her stripping career. Who knew that guys wearing just sneakers and Nixon masks pleasure themselves while watching the dancers perform?

V. Vale tried writing but he discovered that interviewing is his forte. He screened a couple unusual face-to-face encounters for the library audience, including one with a lesbian body-modification pioneer.

Ryan Hayes as Walt Whitman

For the second event of the evening, a couple dozen curious people gathered at the new plaza at 17th and Market Street in the Castro to see Ryan Hayes perform his one-man show "Boys Together Clinging: The Gay Poetry of Walt Whitman." Academics in the audience were electrified — here was the physical manifestation of Whitman in his twenties, shouting out his homoerotic "Calamus" poems 150 years after they were written. Hayes jumped up on a footlocker to wildly gesture and then ambled into the crowd to hold the hand of a young man and speak emotionally of men joining together while eye-locking his new fan. His show was one of the better parts of the San Francisco Fringe Festival.

Marvin K. White

The final cultural event was the monthly Smack Dab open mic at Magnet, with Oakland author Marvin K. White as the featured performer. White is an arts event coordinator and former member of Pomo Afro Homos, the breakthrough queer African-American stage show. White read stridently from his work, increasing the tempo and cadence of his voice with a climax of his popular poem “I Want to Make Black History With You” which is a manifestation of two black men complementing and bonding on an extremely intense level. He received loud sustained applause and it was the perfect finale to a bountiful night.

Physical and Mental Literary Exercises at the Library

Lucy Jane Bledsoe, Marvin K. White, and Jaime Cortez

Writer Marvin K. White hosted a writers’ workshop at the main branch of the San Francisco Public Library on Jan. 20, 2010. Most of the audience had seen a flyer advertising an “LGBT African American Writers Series,” but everyone stayed to get involved with the hands-on event. Others saw the writing workshop on a “be my friend” website and had anticipated the honing of their skills. The goal of published writers White, Lucy Jane Bledsoe, and Jaime Cortez was to enhance guests’ literary abilities through physical and mental exercises.

Lucy Jane Bledsoe writes novels for adults and children. Her interests include Antarctic kayaking and backpacking in the Rockies. She has written four novels for adults and five for children, and has received multiple awards.

Jaime Cortez produces graphic novels about immigration, AIDS, and gun violence. He is well-known for his HIV/AIDS prevention outreach work. His novel is about a transgender Cuban immigrant in a new culture.

Marvin K. White is the author of two poetry collections. He is also a performer, playwright, and visual artist. He is a dedicated and loved community arts organizer.

Karen Sundheim, of the James C. Hormel Gay & Lesbian Center, introduced host White, and he kicked off the event by stating that the evening was about the practice of writing. He said that guests should not despair if they felt the creative process was not flowing on the paper. He then led the guests through some exuberant standing aerobics exercises and asked them to write ideas inside and outside a circle on a piece of paper, all to clear their heads. A charged bonding ritual followed, as guests read what they had written. Bledsoe quipped that she called it speed writing.

Then White let it be known that he felt that the library was not seen as an LGBT space, and that the event was a claiming of queer space. Cortez had written “wounding, healing, and revelation” on a blackboard to explain his writing process.

Provocative author Lorenzo Herrera y Lozano, a personal guest of White, spoke about his book “Santo de la Pata Alzada: Poems from the Queer/Xicano/Positive Pen.” Audience members happily mingled and enjoyed the rush of literary creativity.

The event was sponsored by the James C. Hormel Gay & Lesbian Center and the African American Center at the San Francisco Public Library.